I had a crack at doing the final design for the End of Line Club, working again from designs established by David Levy and then Ben Proctor. A rough model had been started by a set designer in Canada (whom I never met so unfortunately can't remember the name.) Working off of that I finished off the design to the needs of the director, who wanted the exterior graphic of the windows to match the already established interior set.
Ultimately I had to produce a couple of keyframes that set up the sense of height above the city and atmosphere. This one showed how a recognizer would dock to drop off Clu and his minions...
...And the fateful attack by the Black Guards. I had a lot of fun with painting the clouds and the glow from the city below.
Digital Set Designer Joe Hiura ultimately translated my final design into a kick-ass Solidworks model.